![]() ![]() The most recognized contemporary street artists include the likes of Banksy and Shepard Fairey. Furthermore, street art is drawn with a pictorial focus rather than textual, and it is rebellious but not purposefully destructive as there is intent to beautify the urban environment. While graffiti operates within a closed community, street art is an open invitation for anyone to interact, consider, and discuss. The intention behind a tag is the rebellious proliferation of the artist’s signature, akin to brand name advertising. Tags are text based and largely indecipherable by those outside the graffiti community. The most common form of graffiti is a tag. The differences between graffiti and street art can be found in authorial intent, intended audience, and form. Like many subcultures rooted in resistance, graffiti has a rich history in independently published media like the zines IGTimes, Can Control, and 12ozProphet. ![]() Furthermore, Andy Warhol was instrumental in the rise of Jean-Michael Basquiat’s career, who alongside artists like Keith Haring, Futura 2000, Cornbread, and TAKI-183, among others, is recognized as being an influential pioneer in the graffiti world. Graffiti also has deep connections to the Beat generation, as well as Pop artists like Andy Warhol and Roy Lichtenstein, in that graffiti rejects established standards, encourages experimentation, and draws from popular culture and advertising. The present-day graffiti style began in the late 1970s in New York City, and the seminal documentary Style Wars (1983), does an excellent job of documenting graffiti’s proliferation in conjunction with the birth of hip hop. In fact, some scholars have even studied graffiti specific to libraries, as Quinn Dombrowski did for her Crescat Graffiti, Vita Excolatur project wherein she documented graffiti found in the Regenstein Library at the University of Chicago from 2007 to 2011. Graffiti is now recognized as a legitimate source of academic study, and it is being studied as a reaction to injustice and disenfranchisement, a cry for revolution, a way to create awareness of socio-political issues, an expression of hope for the future, an effort to reclaim public spaces, or an attempt to beautify the urban environment, among others. Yet, today the term graffiti means any sort of unsanctioned application of a substance, whether it is spray paint, pencil markings, or even stickers.įrom the graffiti scrawled on the walls of the ancient city of Pompeii, socio-political murals in Northern Ireland from groups like the IRA and Sinn Féin, to communal projects like The Great Wall of Los Angeles, scholars have begun to recognize the importance of and value of these communications and political statements. The word graffiti comes from the Italian graffare meaning to scratch, as in on a surface. Graffiti and street art are inextricably linked. ![]()
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